此时此地的变与不变——矶崎新建筑绘画浅析  

Change and No Change: Analysis of Arata Isozaki’s Architectural Drawings

作　　者：吴征[1,2] 蔡阳生 赵颖[1,2] Wu Zheng;Cai Yangsheng;Zhao Ying(Fujian University of Technology,Fuzhou 350118,China;School of Architecture,Tianjin University,Tianjin 300072,China)

机构地区：[1]福建工程学院建筑与人居环境研究所,福州350118 [2]天津大学建筑学院,天津300072

出　　处：《艺术与设计（理论版）》2020年第1期80-82,共3页Art and Design

摘　　要：文章系统梳理了矶崎新近60年建筑生涯的代表性建筑画作品,发现其大胆、多变的建筑画风格背后,是自觉承担东西方建筑文化传播的时代责任;是勇于突破自我风格、引领时代、不断求新求变的可贵尝试;是骨子里对东方传统审美意趣不变的追求。揭示了在跨文化、跨地域的建筑创作中,建筑师不妨放下风格束缚,回归"此时此地",务实而高质地实现其职业理想。风格只是一种实现策略,而非设计的必须。This paper systematically combs the representative architectural paintings of Arata Isozaki’s 60 years of architectural career.It is found that behind its bold and changeable architectural painting style is the constant pursuit of the traditional oriental aesthetic interest,and is a valuable attempt to break through the limitation of self-style and explore new fields.It reveals that the architect’s pursuit of value should transcend the restraint of style and design a suitable extraordinary building according to the time and place.Style can only be an implementation strategy,not the origin of design.

关 键 词：矶崎新 普利兹克建筑奖 建筑画 草图 

分 类 号：TU-05[建筑科学—建筑理论] J05[艺术—艺术理论]