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作 者:周季纯 吴燕 ZHOU Jichun;WU Yan(College of Furnishings and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)
机构地区:[1]南京林业大学家居与工业设计学院
出 处:《家具》2020年第1期33-36,共4页Furniture
基 金:2018年度南京林业大学大学生实践创新训练计划项目(201810298147H);浙江省重点研发计划项目(2017C01117)
摘 要:交椅文化底蕴浓厚,它的发展基本贯穿了中国传统家具史,且在不同历史时期交椅呈现不同的文化内涵,本研究以时间为主线对其进行分析。交椅起源于胡床,共同的特征是腿足形制呈交叉状,可折叠且便于携带。在东汉末期初见端倪,其过渡于隋唐,成熟于宋元,兴盛于明直至清朝中后期渐进尾声。在古代,交椅属于高等级坐具。以明代黄花梨圆后背交椅为例做了详述,以期为人们不断去探索学习、进一步领略我国传统家具的文化内涵,提供一定参考。The folding armchair with curved rest has a profound traditional cultural foundation,whose de‑velopment basically runs through the history of Chinese traditional furniture,and presents different cultur‑al connotations in different historical periods.Therefore,this paper takes time as the main line to study and analyze it.The folding armchair with curved rest originated from the folding stool,their common char‑acteristics are that the legs are cross‑shaped,foldable and easy to carry.The folding armchair with curved rest began to take shape in the late eastern Han Dynasty,it gradually transited during the Sui and Tang Dynasties and it matured in the Song and Yuan Dynasties,the chair reached its peak in the Ming Dynasty and prospered until the middle and later Qing Dynasty.In ancient times,the folding armchair with curved rest belonged to a kind of high‑level seat.In the article,the Ming Dynasty Huanghuali folding armchair with curved rest was taken as an example for elaboration.As a classic traditional furniture,the folding armchair with curved rest is worth exploring and learning constantly,so as to further understand the cul‑tural connotation of Chinese traditional furniture.
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