根植模仿与理想重现——古希腊造型艺术史美学研究  

Rooted Imitation and Ideal Reappearance: An Aesthetic Study of Ancient Greek Plastic Art History

作　　者：张伟[1] 祁新淼 ZHANG Wei;QI Xin-miao(Baseof Public Culture Research,Lu Xun Academy of Fine Arts,Shenyang,Liaoning 110041)

机构地区：[1]鲁迅美术学院公共文化研究基地

出　　处：《艺术百家》2019年第6期14-20,共7页Hundred Schools In Arts

基　　金：国家社会科学基金项目“西方造型艺术美学研究”(项目编号:W2011146)阶段性成果之一

摘　　要：古希腊的造型艺术至今仍有着超凡的艺术魅力,作为古代艺术范本令人陶醉和神往。本着将西方美学史和西方艺术史综合起来加以研究的基本思路,文章阐释了古希腊美学家对于古希腊造型艺术的观点,探讨了这一历史时期造型艺术在内容和形式上的美学特征,分析了它所反映的是追求规范有序而又自由舒展、根植于模仿却又充满着理想重现的造型艺术美学思想。我们认为,古希腊造型艺术给我们的启示在于艺术根植于模仿,但又不局限单纯的模仿,同时强调理想的再现。它之所以有着经久不衰的魅力而被后世奉为范本,是由于对客观自然和主观理想双重肯定的缘故。古希腊的造型艺术和造型艺术美学不仅在历史上给人们以美的享受和理论的启迪,还给我们今天的艺术创作和理论思考提供着借鉴与启示,那就是在模仿中再现理想。The plastic arts of ancient Greece still have extraordinary artistic charm,which is intoxicating and fascinating as an ancient art model.In line with the basic idea of synthesizing the history of western aesthetics and the history of western art.We think that the enlightenment of ancient Greek plastic arts lies in that art is rooted in imitation,but it is not limited to simple imitation,and emphasizes the reproduction of ideal at the same time.The reason why it has a lasting charm is regarded as a model by later generations because of the double affirmation of objective nature and subjective ideal.The plastic arts and plastic arts aesthetics in ancient Greece not only give people the enjoyment of beauty and theoretical enlightenment in history,but also provide reference and enlightenment for our artistic creation and theoretical thinking today,that is,to reproduce the ideal in imitation.

关 键 词：艺术学理论 造型艺术史 模仿 理想 艺术美学 

分 类 号：J0[艺术—艺术理论]