从第一、二次“全国美术展览会”看民国时期“艺术大众化”思潮变革  

Review in the Revolutionary Ethos of the Popularization of Art during the Republic Period through the First and Second National Art Exhibition

作　　者：唐恭俭[1] 

机构地区：[1]重庆文理学院美术与设计学院

出　　处：《美术》2020年第2期93-98,106,共7页Art Magazine

摘　　要：本文以民国时期第一次与第二次“全国美术展览会”的作品与相关评论文章为研究对象,并以“两次‘全展’的主旨与目的”、“审美教育——第一次‘全展’大众化的具体体现”、“教化思想日盛而纯粹美感日减——第二次‘全展’的大众化倾向”为几大板块,分析了两次展览所呈现出来的“艺术大众化”思潮的变迁:从纯粹美育之陶养到对教化人伦的强调,由此得出民国时期“大众化”思潮中“为人生”与“为艺术”并非不可调和之矛盾的观点。两者都认同艺术对社会改良的必要性与重要性,都是“大众化”运动的重要组成部分。This paper took artworks and related commentaries of the first and second National Art Exhibition as research subjects;and created several categorization like“themes and purposes of these two National Art Exhibitions”,“aesthetic education:specific embodiment of popularization of the first National Art Exhibition5,4prevalence of moralization and the diminishing pure aesthetics:the popularized trend of the second National Art Exhibitions”.In addition,this paper analyzed the changes of“popularized art”ethos that were presented in these two exhibitions,from shaping pure aesthetics to the emphasis on doctrines;and then drew a conclusion that,among the“popularized”ethos in the period of the Republic of China,“for the sake of life”and“for the sake of art”were not two irreconcilable standpoints.These two standpoints,which recognized the necessity and significance of art towards social reform,were both important parts of“popularization”.

关 键 词：艺术大众化 纯粹美育 为人生而艺术 为艺术而艺术 

分 类 号：J209[艺术—美术]