惠山泥塑的审美意蕴  

Aesthetic Implication of Huishan Clay Sculpture

作　　者：张文珺[1] ZHANG Wen-jun(Humanities College,Nanjing University of the Arts,Nanjing 210013,China)

机构地区：[1]南京艺术学院人文学院

出　　处：《南京工程学院学报（社会科学版）》2019年第4期50-54,共5页Journal of Nanjing Institute of Technology：Social Science Edition

基　　金：2016年文化部文化艺术研究项目“江南民间泥塑艺术发展历史及活态传承研究”(16DH79);江苏省“333高层次人才培养”资助项目

摘　　要：起源于江南无锡太湖之滨的惠山泥塑,历史悠久、风格独特,是中国泥塑艺术的瑰宝。在漫长的历史发展进程中,惠山泥塑始终浸润于江南地域环境中,与人民大众的生产生活相系,形成了其特有的泥塑品类与制作工艺,散发着浓郁的江南乡土气息与审美意蕴。惠山泥塑作为原始艺术的延续具有稚拙的美感和灵动的审美气息。在独特的地域环境和文化氛围中,它又形成了粗犷与妩媚并存的审美特色。此外,“以色写意,以纹传情”也是惠山泥塑审美的显著特点。Huishan clay sculpture,originating from the shore of Taihu Lake in Wuxi,has a long history and unique style.It is a treasure of Chinese clay sculpture art.In the long process of historical development,Huishan clay sculpture has always immersed itself in the regional environment of the south of the Yangtze River,and is closely related to the production and life of local residents.As a result,it has formed its unique clay sculpture category and craftsmanship,which is endowed by a strong local flavor and aesthetic implication.Evolved from primitive arts,Huishan clay sculpture is humbly and flexibly aesthetic,and at the same time,wildly and gracefully aesthetic in unique geographic and cultural surroundings.“Expressing meaning and emotions by using colors and patterns”is another striking feature of Huishan clay sculpture.

关 键 词：惠山泥塑 审美 捏塑 彩绘 

分 类 号：J314.7[艺术—美术]