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作 者:崔蕴华 CUI Yun-hua(Chinese Department,China University of Political Science and Law,Beijing 10088,China)
机构地区:[1]中国政法大学中文系
出 处:《北京社会科学》2020年第3期21-34,共14页Social Sciences of Beijing
基 金:中国政法大学钱端升杰出学者支持计划暨国家社会科学基金重大项目“中国历代民间说唱文艺研究资料整理与数据库建设”(17ZDA246)阶段性成果
摘 要:19世纪上半叶,中国说唱文学开始进入西方学者的视野,1874年司登德编译北京地区俗曲集《二十四颗玉珠串》,将子弟书第一次介绍给西方。此期俗曲编译较早期之《花笺记》翻译更具学术自觉,北京说唱被解释为人类重要成员的“精神状态”(司登德)与“民族的诗歌”(韦大列)。20世纪中叶,中国说唱逐渐进入西方学界的系统研究谱系,论著渐多。近30年来,海外学者们从文学史书写、性别文化、口传理论、族群认同等多维度研究中国说唱,说唱文学选本与译本也逐渐增多,且呈现出明确的学理思路与分类标准。这种“他者”的侧目与关注可以让我们对中国说唱的学术研究有更丰瞻的理论视野与学术对话,对于中国说唱文学学科体系之建立、中华文化之多元传播洵为重要。In the first half of the 19th century,Chinese popular literature began to be noted by western scholars.By 1874,Stent compiled the popular song collection“The Jade Chaplet in Twenty-Four Beads:a Collection of Songs,Ballads,etc,from the Chinese”,which introduced the Zi Di Shu to the West for the first time.Compared with the early translation of Hua Jian Ji,the compilation of folk songs in this period showed more academic consciousness.Beijing popular literature was interpreted as the“mental state”(Stent)and“National Poetry”(Vitale)of important members of human beings.In the middle of the 20th century,Chinese prosimetric and verse narrative gradually entered the system research of western academic circles with more and more works.In the past 30 years,overseas scholars have studied it from the perspectives of literary history writing,gender culture,oral theory,ethnic identity and other dimensions.There are more and more popular literature anthologies and translations,and clear academic ideas and classification standards.The Perspective of the Other can make us have a broader theoretical vision and academic dialogue for the academic research of Chinese prosimetric and verse narrative,which is important for the establishment of the discipline system of Chinese prosimetric and verse narrative and the multi-communication of Chinese culture.
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