仪式、原型与曹禺早期剧作的主题呈现  

Rituals, Prototypes and Theme Presentation in the Early Dramas by Cao Yu

作　　者：李扬[1] Li Yang

机构地区：[1]南开大学文学院,天津300071

出　　处：《南开学报（哲学社会科学版）》2020年第2期183-192,共10页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：国家社会科学基金项目(14BZW119)。

摘　　要：曹禺的早期剧作是中国话剧文学史上为数不多的能够超越时间和空间限制的经典作品,这与其作品的主题及呈现主题的方式密切相关。在戏剧创作中,曹禺借用复调音乐、宗教仪式在无形中强化了作者的悲悯之心和救赎之意;同时,曹禺在剧作中反复再现中国人的日常生活礼仪,以此来表现传统伦理对现代人的规训作用。这些独特的艺术手段,在增强曹禺早期剧作的内在张力的同时,也深化了作品的主题意蕴。The early drama works by Cao Yu were taken as those classical works which could surmount the limits of time and space in the history of Chinese drama due to the themes of these works and the ways in which they were displayed. Cao Yu took polyphonic music and religious rituals to strengthen his expression of sympathy and redemption in his composition of dramas. Additionally, Cao Yu repeatedly displayed daily rituals in Chinese lives in his drama works to illustrate that traditional ethnics were disciplining modern people. While these unique methods of art increased the inherent tension of the early drama works by Cao Yu, they had also deepened the implication of themes in his works.

关 键 词：曹禺 仪式 原型 悲悯 主题呈现 

分 类 号：I207.34[文学—中国文学]