翟永明20世纪90年代诗歌的敞开性与混杂性  

The Openness and Hybridity of Zhai Yongming’s Poetry in the 1990s

作　　者：范云晶 FAN Yun-jing(College of Literature and Journalism,Inner Mongolian University,Hohhot 010070,China)

机构地区：[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010070

出　　处：《海南师范大学学报（社会科学版）》2020年第1期47-55,共9页Journal of Hainan Normal University(Social Sciences)

基　　金：教育部人文社会科学研究规划基金项目“20世纪90年代诗歌的语言策略与表意方式研究”(项目编号:19YJA751009)。

摘　　要：20世纪90年代是翟永明诗歌创作的重要阶段。诗人通过"转喻"语型的运用,公共场域"媒介空间"作用的挖掘以及"多角色"混合与"多声部"发声等表意方式,实现了意义扩展、时空扩展以及声音扩展,并使得这一时期的诗歌具有敞开性与混杂性。敞开性与混杂性准确地命名了经验主体与语言现实之间的复杂关系,是诗人对于时代的创造性呈示与主动性回应,彰显出不断求新求变与突破自我的诗学追求。The 1990 s is an important stage of Zhai Yongming’s poetic creation,for through the use of metonymy,the exploration of the function of"the media space"in the public field,and the combination of multi roles and multi-voice,the poet has realized the extension of meaning,time and space,and voice,thus having made his poems of that period open and hybrid.Openness and hybridity accurately reflect the complex relationship between the subject of experience and the reality of language,which is the poet’s creative expression and active response to the era and demonstrates his poetic pursuit of constant innovation and self-breakthrough.

关 键 词：翟永明 20世纪90年代 诗歌 转喻 媒介空间 人称转换 

分 类 号：I206.7[文学—中国文学]