师陀《果园城记》思想艺术风格探析  

Analysis of the ideological and artistic style of SHI Tuo’s The Story of Orchard City

作　　者：王晓文[1] 王梦影 WANG Xiaowen;WANG Mengying(Faculty of Literature of Huaibei Normal University,Huaibei 235000,China;Gaomiao Central School of Taihe,Fuyang 236630,China)

机构地区：[1]淮北师范大学文学院,安徽淮北235000 [2]安徽省阜阳市太和县高庙中心学校,安徽阜阳236630

出　　处：《周口师范学院学报》2020年第1期81-86,共6页Journal of Zhoukou Normal University

摘　　要：《果园城记》是师陀创作于1938至1946年间的一部小说集,是作家沉思默想后呕心沥血的艺术结晶,它以系列小说的形式,将果园城世界所代表的乡土中国加以整体性观照,凝结和蕴含了作家的情感体验和生命体验。《果园城记》怀念故土、眷恋故乡,具有浓厚的乡土情结,表达了对民族文化、性格和命运的深刻反省与认识,还表现出深刻的生命悲剧意识。《果园城记》采取系列小说叙事形式,标志着中国现代文学系列小说样式的成熟。《果园城记》的语言,具有诗意、讽刺、泛指的独特风格。The Story of Orchard City is a collection of novels written by SHI Tuo from 1938 to 1946.It is the artistic fruition of the writer’s deep thinking and painstaking efforts.In the form of series novels,it reflects local China as a whole represented by the world in orchard city,condenses and contains the writer’s emotional experience and life experience.The Story of Orchard City is nostalgic for its hometown.It has a strong local complex and expresses a deep reflection and understanding of national culture,character and destiny,as well as a deep sense of life tragedy.The Story of Orchard City takes the form of series novels,which marks the maturity of series novels in modern Chinese literature.The language in The Story of Orchard City has a unique style of poetry,satire and general reference.The series novels of The Story of Orchard City is a symbol of SHI Tuo’s mature writing style.

关 键 词：师陀 《果园城记》 系列小说 创作风格 

分 类 号：I206.6[文学—中国文学]