李公麟《五马图》绘制时间与换配问题考  

Study on the Drawing Time and Saddle Changing of Wu Ma Tu by Li Gonglin

作　　者：苏醒 宫力[2] Su Xing;Gong Li

机构地区：[1]上海书画出版社,上海200050 [2]上海理工大学出版印刷与艺术设计学院,上海200093

出　　处：《南京艺术学院学报（美术与设计）》2020年第1期14-21,I0003,共9页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：教育部人文社会科学研究青年基金项目(19YJC760025)。

摘　　要：2018年日本东京国立博物馆举办"颜真卿——超越王羲之的名笔",其间公布李公麟《五马图》原迹。本文通过对原迹题跋、著录、印鉴的研究,考证出李公麟绘制此图的大致时间与两位宋代藏家;阐释了此图的换配情况、黄庭坚题记格式、书风不同的问题,并对"宝"字印、"睿思殿"印、"询"字印的情况做了基本的推测分析。The National Museum of Tokyo in Japan held the exhibition"Yan Zhenqing:a Famous Calligrapher Surpassing Wang Xizhi"in 2018,during which Li Gonglin's original Wu Ma Tu(Painting of Five Horses)was announced.Based on research on the epigraph,description and seal of the original work,this paper studies the general time of this drawing by Li Gonglin and the two collectors in Song Dynasty,explains the questions of the saddle changing in the drawing,the style of Huang Tingjian's inscription and the calligraphic style,and makes a basic conjecture and analysis on the seal of character"Bao,""Ruisi Palace"and"Xun".

关 键 词：《五马图》 绘制时间 移配 题记 印鉴 

分 类 号：J110.9[艺术—艺术理论]