溯源一场盛行欧亚的彩绘瓷奢华风  

Tracing to the Source of the Extravagant Fashion of Color Painted Porcelain Prevailing in Europe and Asia

作　　者：施茜 李庆 Shi Qian;Li Qing

机构地区：[1]南京师范大学美术学院,江苏南京210046 [2]刘海粟美术馆,江苏常州213001

出　　处：《南京艺术学院学报（美术与设计）》2020年第1期91-96,I0004,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：2017年度国家社科基金艺术学项目(17BG144)“清代外销瓷对欧亚制瓷及其设计文化的影响”阶段性成果。

摘　　要：中国外销瓷自唐代开始至清代中晚期,垄断世界陶瓷外销近千年,而1840年鸦片战争之后的没落,说明了技术落后导致经济落后,同时也会导致了文化思想被否定。本文主要论述17-18世纪欧洲的奢华之风,影响中国和日本陶瓷生产定制风格的变化过程,同时论述外销瓷生产在一定程度上改变了陶瓷原生产国的审美习惯。Chinese export porcelain had monopolized the export porcelain of the world for nearly a thousand years from the Tang Dynasty to the middle and late Qing Dynasty.However,the decline after the Opium War in 1840 showed that the backwardness of technology led to economic backwardness,and led to the denial of culture.This paper mainly discusses the extravagant fashion of Europe in the 17th-18th century,which influences the change process of custom-made style of ceramic production in China and Japan,and the export of ceramic production has changed the aesthetic habits of the ceramic production of China to a certain extent.

关 键 词：金襕手 广彩 塞夫勒 陶瓷彩绘 外销瓷 

分 类 号：J02[艺术—艺术理论]