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作 者:邹其昌 冯易 ZOU Qichang;FENG Yi
机构地区:[1]同济大学设计创意学院、上海国际设计创新学院,上海20009 [2]武汉纺织大学传媒学院,湖北武汉430073
出 处:《艺术探索》2020年第1期58-72,共15页Arts Exploration
基 金:2016年度国家社科基金重大项目“中华工匠文化体系及其传承创新研究”(16ZDA105)。
摘 要:“中而新”设计观是梁思成设计思想的核心观念,它不仅是梁思成追求的设计风格,也是其建构的设计方法,体现了其设计理念。“中而新”,即通过对外来文化的吸收学习,在保持民族文化鲜明性基调之上,完成本土设计观念、设计方法的持续更新。其理论核心是:如何对待传统和现代的关系;如何正确处理中与西、新与旧;如何在外来文化持续冲击下保持民族特性,坚守宝贵的自我格调;如何吸收外来文化的优秀资源,融入传统,升华出拥有生命活力、具有竞争优势的独特文化力;如何在把握时代科技和发展趋势时,仍将人的多方面需求满足放在设计考虑的首位。梁思成“中而新”设计观从核心层、策略层和方法层等三个层面对中国设计理论体系虑的建构提供了借鉴。LIANG Sicheng's"modern Chinese"design concept is the core concept of his design thoughts.It is not only the design style that he pursues,but also the design method of his construction,which reflects his design philosophy."Modern Chinese Architecture",that is,the continuous updating of local design concepts and design methods while maintaining the distinctive tone of national culture through the absorption and learning of foreign cultures.The cores of his theory are:how to treat the relationship between tradition and modernity;how to properly handle Chinese and Western,new and old;how to maintain national identity under the continuous impact of foreign culture,and adhere to the valuable self-style;how to absorb the excellent resources of foreign culture and integrate tradition that sublimateto a unique cultural power with vitality and competitive advantages;how to meet the needs of people in many aspects in the design consideration when grasping the technology and development trends of the times.LIANG Sicheng's"modern Chinese Architecture"design concept provides reference for the construction of China's design theory system from three levels:core layer,strategy layer and method layer.
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