斯坦尼斯拉夫斯基与梅耶荷德的分歧与论争(四)——两位大师在第三工作室的合作与斯坦尼斯拉夫斯基的转变  

The Disagreements and Debates between Stanislavski and Meierkholid:From the Creation of Moscow Art Theaters to the October Revolution

作　　者：陈世雄[1] CHEN Shixiong(College of Humanities,Xiamen University,361005,Xiamen,China)

机构地区：[1]厦门大学文学院,厦门361005

出　　处：《北方工业大学学报》2019年第6期76-85,120,共11页Journal of North China University of Technology

基　　金：国家社会科学基金一般项目“苏联戏剧历史经验研究”(13BWW035)。

摘　　要：斯坦尼斯拉夫斯基与梅耶荷德无疑是20世纪俄罗斯贡献最大、影响最广的戏剧导演,他们各自创办了自己的剧院和表导演艺术体系.然而,对于两位大师之间分歧、对立、论争的持久性、严重性和影响的深远,我们至今缺乏了解;另一方面,对上述两位大师之间的共同之处,对他们最终携手合作的必然性同样认识不足.本文介绍1923—1935年间两位大师关系的演变.It is no doubt that Stanislavski and Meierkholid are the most far-reaching directors who made the greatest contribution to Russia’s drama development in the 20th century.Both of them set up their own theaters and developed their own art system concerning performing and directing.However,until now,we have not gained a deeper understanding about the long lasting,serious and far-reaching effect of their disagreements and debates.Furthermore,we also lack sufficient understandings about what they have in common and the necessity of their conducting cooperation finally.Due to the space limitation,this paper will first of all make an introduction about how their disagreements arose and developed during the period of from the creation of Moscow art theaters to the October Revolution,then making reviewing and commenting in a serializing way.

关 键 词：斯坦尼斯拉夫斯基 梅耶荷德 分歧与论争 体验艺术 表现艺术 假定性 自然主义 现实主义 形式主义 

分 类 号：J830[艺术—戏剧戏曲]