捕捉南阳汉画艺术在书籍装帧中的印迹  

Seize the Imprint of Nanyang Han Dynasty Painting Art in Book Binding and Layout

作　　者：王一冉 杨絮飞[1] Wang Yiran;Yang Xufei(School of Art Design,Zhejiang A&F University,Hangzhou 311300,China)

机构地区：[1]浙江农林大学艺术设计学院,杭州311300

出　　处：《艺术与设计（理论版）》2020年第4期41-42,共2页Art and Design

摘　　要：南阳汉代画像砖石,内容丰富,题材繁多,造型艺术独特,在中国传统文化中有"绣像的汉代史"之称。塑造手法如此丰富的汉画艺术与现代书籍设计会碰撞出怎样的火花,积淀出怎样的创新形式。文章将从南阳汉画艺术的形式语言着手,探析汉画对现代书籍设计的影响,让大家既能够感受到南阳汉画艺术的内涵与魅力,同时也可以透过它在现代书籍装帧中的应用实例,体会传统艺术元素对现代设计的良好作用。Nanyang Han Dynasty engraving bricks and stones, rich in content, a wide range of subjects, unique plastic arts, in traditional Chinese culture, "embroidered image of the Han Dynasty history" known. What kind of spark will the Chinese painting art with such rich shaping techniques collide with the modern book design? What innovative forms have been accumulated? This article will start with the formal language of Nanyang Han Painting Art, explore the influence of Han Painting on modern book design, so that you can not only feel the connotation and charm of Nanyang Han Painting Art, but also experience the good effect of traditional art elements on modern design through its application examples in modern book binding.

关 键 词：南阳汉画艺术 书籍装帧 现代设计 

分 类 号：G232.3[文化科学] J0-05[艺术—艺术理论]