“文化走出去”背景下电影《孔子》对儒家文化的阐释艺术  

The Interpretation of Confucian Culture in the Movie Confucius under the Background of"Chinese Culture Going Out"

作　　者：齐荣军 齐卓然 Qi Rongjun;Qi Zhuoran(Foreign Language Teaching Department,Qufu Normal University,Qufu 273165,China;School of Foreign Languages,Shandong Jianzhu University,Jinan 250101,China)

机构地区：[1]曲阜师范大学公共外语教学部,山东曲阜273165 [2]山东建筑大学外国语学院,山东济南250101

出　　处：《齐鲁师范学院学报》2020年第2期123-128,148,共7页Journal of Qilu Normal University

基　　金：2019年教育部人文社会科学研究规划基金项目“基于欧美游客认知调查的儒家文化对外传播路径研究”的阶段性成果(项目编号:19YJA860018).

摘　　要：为提升中国文化软实力,提高国际影响力,中国政府在新世纪制定了"文化走出去"的国家战略。《孔子》作为第一部以儒家文化创始人为题材的电影,从国外观众的理解能力和情感倾向出发,以艺术化的手法、创新性地诠释了儒家文化思想,不仅为中国电影创作开辟了以儒家文化为题材的新思路,也为儒家文化对外传播提供了新路径。In order to enhance China's cultural soft power and improve its international influence,the Chinese government has formulated the national strategy of"Chinese culture going out"in the new century.As the first movie with the founder of Confucian culture as its theme,considering the understanding ability and emotional tendency of audience abroad,Confucius provides an innovative interpretation of the Confucian culture and thoughts with artistic means,not only opening a new way of regarding Confucian culture as the movie theme for Chinese film creation,also providing a new path for the dissemination of Confucian culture abroad.

关 键 词：中国文化走出去 电影《孔子》 阐释艺术 儒家文化传播 

分 类 号：G125[文化科学]