从齐声合唱到沉吟独语——试论赵延年的鲁迅题材创作(1950—1979)  

From Chorus to Monologue:On Zhao Yannian’s Art Creation of Lu Xun’s Images from 1950 to 1979

作　　者：沈伟棠 徐阿兵[2] Shen Weitang;Xu Abing

机构地区：[1]福建农林大学艺术学院 [2]福建师范大学文学院

出　　处：《美术》2020年第4期105-109,共5页Art Magazine

基　　金：教育部人文社会科学研究青年基金“鲁迅图像史研究”(编号:17YJC760065)的研究成果之一;国家留学基金(编号:201907870008)资助.

摘　　要：具有强烈象征意味的鲁迅题材在20世纪50年代至70年代的中国美术界颇为流行。在此类题材的创作上,赵延年经历了与主流话语齐声合唱到沉吟独语的生命觉醒过程。这一由外向到内省的变化,凝结了赵延年作为艺术家的真诚情怀与作为知识分子的理性思考。重现赵延年在70年代的"潜在创作",既能丰富我们对70年代美术多样性的认识,拓宽鲁迅接受史研究的学术视野,也有益于厘清新中国美术的精神脉络。The art creation of Lu Xun’s images and works with strong symbolic meaning was quite popular in the Chinese art circle from the 1950s to 1970s.In the creation of such themes,Zhao Yannian experienced the process of life awakening from chorus to monologue.This change from extroversion to introspection condensed Zhao Yannian’s sincere feelings as an artist and his rational thinking as an intellectual.Zhao Yannian’s "potential creation" in the 1970s can not only enrich our understanding of the diversity of art in the 1970s and broaden the academic vision of the study on the acceptant history of Lu Xun,but also help to clarify the spiritual context of art in new China.Therefore,it should be attached great importance.

关 键 词：鲁迅题材 赵延年 潜在创作 视觉隐喻 

分 类 号：J209[艺术—美术]