以艺术之名——《拱与蝶》中城市文本的隐喻解析  

In the Name of Art:A Metaphoric Analysis of the Unban Texts in The Arch and the Butterfly

作　　者：余玉萍[1] Yu Yuping(the School of Foreign Studies,University of International Business and Economics,Beijing,China,100029)

机构地区：[1]对外经济贸易大学外语学院

出　　处：《当代外国文学》2020年第1期58-64,共7页Contemporary Foreign Literature

摘　　要：阿拉伯布克奖获奖小说《拱与蝶》是一部“诗与思”相交汇的作品。小说无情揭露了摩洛哥当下社会政治、经济、社会和文化发展中的诸多不良现象,映射出当代摩洛哥城市发展进程中所遭遇的各种难题。作者艾什尔里对诗性的追求,确凿地体现于对艺术的特殊关注。本文从后现代主义空间批评与城市书写相关理论出发,选取小说中与艺术相关的几个重要意象,如拱梁、蝶楼、马赛克地板画与酒神雕塑,将它们置于“城市文本”这一较新的视阈下,结合故事情节解析层层隐喻,揭示其中所蕴含的权力关系和文化价值观。The Moroccan novel The Arch and the Butterfly,which won the 2011 IPAF,is a work with profound themes and poetic beauty.The novel uncovers negative phenomena which have occurred alongside political,economic,social and cultural development in Moroccan society,and reflects upon various problems which have emerged in the process of contemporary urbanization.The author Mohammed Achaari’s pursuit of poetry is reflected through his special attention to art.Based on postmodern spatial criticism and city writing theory generally,and from the perspective of“urban text”specifically,this paper intends to highlight several images related to art within the novel,such as the arch bridge,the butterfly building,the mosaic floor painting,and the statue of Bacchus,and offers a metaphoric analysis of the power relationship and the cultural values implicit in the plot.

关 键 词：《拱与蝶》 城市文本 隐喻 艺术 

分 类 号：I416.074[文学—其他各国文学]