“空白”的伤口:论莫迪亚诺小说中的大屠杀创伤书写  

“Blank”Wound:On the Holocaust Trauma in Patrick Modiano’s Writing

作　　者：刘曦[1,2] 王大智 Liu Xi;Wang Dazhi(the French Department,Dalian University of Foreign Languages,Dalian,China,116044;School of Foreign Languages and Cultures,Nanjing Normal University,Nanjing,China,210097)

机构地区：[1]大连外国语大学法语系 [2]南京师范大学外国语学院

出　　处：《当代外国文学》2020年第1期89-97,共9页Contemporary Foreign Literature

基　　金：辽宁省社科规划基金“后现代视阈下莫迪亚诺在中国的译介与接受研究”(L17CWW005);辽宁省教育厅人文社会科学研究一般项目“全球伦理与文学翻译:莫迪亚诺汉译研究”(2016JYT04)的阶段性成果。

摘　　要：“空白”构成莫迪亚诺大屠杀创伤书写的一大特色,它不仅是创伤人物的显著特质,也是反复出现的重要主题,其叙事结构与表现手法均是对大屠杀创伤的一种映射。叙事空白以“不写之写”再现幸存者的危机,空间空白以“不在之在”展现创伤的代际延续,记忆空白以“不忆之忆”书写被遗忘的遇难者。同时,“空白”召唤读者参与文本空间建构,引导读者凝视大屠杀的伤口,使小说具有意味无穷的审美效果与伦理关怀。Blankness constitutes a major feature of Patrick Modiano’s trauma writing.It is not only the predominant trait of his traumatised characters,but also a recurrent theme in his novels.The narrative structure and techniques of those works reflect Holocaust trauma.Narrative indeterminacy mirrors the crisis of survivors with“non-writing”;the empty space represents intergenerational transmission of trauma via“non-being”;and a blankness of memory writes of the forgotten victims via“non-memory”.Such blankness calls on readers to participate in constructing a textual space,and guides readers’gaze towards the wounds of the Holocaust for both aesthetic and ethical effect.

关 键 词：莫迪亚诺 大屠杀 创伤 空白 

分 类 号：I565.074[文学—其他各国文学]