中国朝鲜族抗日歌曲《游击队进行曲》浅析  

Study of the Anti-Japanese Song The Guerrilla March by Korean Nationality

作　　者：李智渊 崔玉花[2] LI Zhi-yuan;CUI Yu-hua

机构地区：[1]东北师范大学音乐学院,长春130024 [2]延边大学艺术学院,延吉133002

出　　处：《延边大学学报（社会科学版）》2020年第3期56-62,141,共8页Journal of Yanbian University：Social Science Edition

基　　金：文化部2015年度文化艺术科学研究项目(15DD28)。

摘　　要：中国朝鲜族自朝鲜半岛迁移而来,在定居与繁衍、发展的过程中,通过与其他民族文化的碰撞和融合,逐渐形成了自身的文化特点。中国朝鲜族抗日歌曲是民族艺术情感与时代、历史精神相结合的文化产物,其带有鲜明的民族音乐本土化的烙印,而《游击队进行曲》则是东北地区传唱最为广泛的中国朝鲜族抗日歌曲之一。通过对《游击队进行曲》的音乐渊源、音乐节奏的传承与变化以及歌词的韵律特征等进行考察,可以窥见中国朝鲜族抗日歌曲创作的时代特征、传播的社会音乐基础以及在与外来文化的碰撞、融合中体现出的混杂性。Korean nationality of China migrated from the Korean Peninsula and gradually formed its own cultural characteristics through the collision and fusion with other ethnic cultures in the process of settlement,reproduction and development.The anti-Japanese songs by Korean nationality are the cultural products of the combination of national artistic emotion and spirits of the times and history with distinctive localized marks of folk music.Through the investigation of the musical origin,the inheritance and changes of the musical rhythm and the lyrics of The Guerrilla March,it is found out that the creation of anti-Japanese songs shows the characteristics of the times,the social musical foundation of its popularity,and the hybridity reflected in the collision and fusion with other ethnic cultures.

关 键 词：中国朝鲜族抗日歌曲 《游击队进行曲》 音乐渊源 混杂性 

分 类 号：J607[艺术—音乐]