中国体育电影的历史进程、缺憾及其美学精神探究  

Investigation of the Historical Progress,Regret and Aesthetic Spirit of Chinese Sports Films

作　　者：班秀萍[1] 史之辰 Ban Xiuping;Shi Zhichen

机构地区：[1]首都体育学院马克思主义学院,北京100191 [2]北京师范大学艺术与传媒学院,北京100875

出　　处：《民族艺术研究》2020年第2期158-164,共7页Ethnic Art Studies

摘　　要：体育电影作为一种表现与体育活动的人和事相关的以故事片为主要类型的电影,具有独特的意义与传播价值。但作为体育大国,目前国产体育电影的发展与其成就实难相配,如何使奥林匹克教育进入更深层次,如何更准确地把握奥林匹克精神,是我们面临的新的挑战。体育电影要有美学精神,要力倡一种超越精神,实现对身体极限、对自然、对社会功利、对人生有限的超越。Sports films,as a kind of drama that represents people and events relating to sports,has its unique meaning and dissemination value.As a major sports country,China has disproportionate production of sports films against its achievement.Therefore,we are facing new challenges,such as how to deepen the education of Olympics and how to grasp the spirit of Olympics precisely.Aesthetic spirit should be concerned in sports films so that it is necessary to promote an exceeding spirit so as to exceed the limit of body,the utility of na?ture and society,and the limitation of life.

关 键 词：体育电影 美学精神 超越精神 身体极限超越 自然超越 社会功利超越 人生有限超越 

分 类 号：J901[艺术—电影电视艺术]