论上官婉儿的诗学地位——从两《唐书》载其神秘出生的差异切入  

On the Poetic Position of Shangguan Wan’er --From the difference of mysterious birth in two Tang Books

作　　者：林宗毛 曹旭[1] Lin Zongmao;Cao Xu(School of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《学术交流》2020年第1期154-162,共9页Academic Exchange

摘　　要：两《唐书》都记载了上官婉儿颇具神秘色彩的出生经历却稍有差异,此差异显示了前后两期史家对上官婉儿由权臣到才女认识的转变,其变化的原因在于后者对上官婉儿诗学地位的逐步肯定。后期史家肯定上官婉儿诗学地位的原因是:在初唐诗坛,上官婉儿以女子之声倡导风靡绮丽逐渐向骨气回归的诗歌理念,以女子之才进行奏响盛唐之音的诗歌创作,从而奠定了其以女子之身而能在初唐诗坛上拥有峻极于天的诗学地位。The two Tang Books recorded Shangguan Waner’s mysterious birth experience, but there was a slight difference. This difference showed the change of previous and later historians’ understanding of Shangguan Wan’er from a powerful official to a talented woman. The reason for the change lies that the latter gradually affirmed Shangguan Wan’er’s poetic status. In the early Tang poetry circle, Shangguan Wan’er advocated that the former popular and gorgeous style would gradually shift to the moral integrity spirit of poetry with her voice as a woman, and created poems that illustrated the prosperous Tang Dynasty with the talent of women, thus establishing her poetic status of being a woman and having a high position in the early Tang poetry circle.

关 键 词：上官婉儿 诗歌理论 诗歌创作 诗学地位 

分 类 号：I206.2[文学—中国文学]