论两宋理学家“玩物从容”审美理想及其诗歌呈现问题  

On Their Aesthetic Ideal of"Playing Calmly"and Poem Presentation of the Neo-Confucians in the Northern and Southern Song Dynasties

作　　者：王培友[1] Wang Peiyou(Department of Humanities and Social Sciences,Beijing Language and Culture University,Beijing 100083,China)

机构地区：[1]北京语言大学人文社科学部,北京100083

出　　处：《学术交流》2020年第1期163-171,192,共10页Academic Exchange

基　　金：国家社科项目“两宋理学诗研究”(13BZW065)。

摘　　要：两宋理学家之“玩物从容”,指的是实践主体以舒缓、不急迫的态度,研习、考察、把握自然界、人类社会和人自身及其属类事物的本质、规律与相互关系等,表征着实践主体的和悦安乐的审美体验和定止心性德性品质或境界。不过,理学家对于“玩物从容”审美理想的论述,与其诗歌呈现出来的“玩物从容”思想并不一致。理学家“玩物从容”审美理想,可视作理学家“文以载道”“因诗求道”等文道观念的具体实践。理学家“玩物从容”诗歌审美理想的诗歌书写,外显为与文人诗大相径庭的诗歌风貌。"Playing calmly"of Neo Confucians in the Northern and Southern Song Dynasties refers to the practice subject's attitude on study,investigation and grasping of the nature,human society,as well as on the nature,laws and interrelations of human beings and their affiliated things with a relaxed and nonchalant view,which represents the aesthetic experience and the quality or realm of calming mind and virtue of the practice subject.However,the theorists'discussion on the aesthetic ideal of"playing calmly"is not consistent with their such thoughts presented in their poems.The aesthetic ideal of this playing attitude of Neo-Confucians can be demonstrated by the concrete practice of their concept—"writing for conveying truth"and"seeking Taoism by poetry".The poetic writing of their aesthetic ideal on such a type of"playing calmly"is obviously different from their poetic style and feature.

关 键 词：宋代 玩物 从容 理学诗 

分 类 号：I207.22[文学—中国文学]