徽州三雕服饰与中国传统文化的内在共鸣  

On the Inner Resonance between Huizhou Tri-Sculpture Costumes and Traditional Chinese Culture

作　　者：范静雯 Fan Jingwen(School of Arts and Media,Anhui University,Hefei 230000,China)

机构地区：[1]安徽大学艺术与传媒学院,安徽合肥230000

出　　处：《黑河学院学报》2020年第3期163-165,共3页Journal of Heihe University

基　　金：安徽省人文社科重点项目“徽文化视域下的三雕人物服饰造型与纹样研究”(SK2018A1086)。

摘　　要：徽州文化作为中华传统文化的重要缩影之一,其三雕人物服饰也被认为是研究中华传统服饰,尤其是明清服饰艺术的珍贵载体。从徽州三雕人物服饰研究的角度来窥视中华传统文化之中的审美、风俗、礼仪等等将会是更为立体的研究中华传统文化的有效途径之一。徽州三雕人物服饰的艺术形态、服饰形象、基本形制人独特的民族文化意蕴,徽州三雕人物服饰与中华传统文化存在内在共鸣。Huizhou culture is viewed as one of the important epitome of traditional Chinese culture.Tri-sculpture costumes are also considered as the precious carrier for the study of traditional Chinese costumes,especially the costumes of the Ming and Qing dynasties.It will be one of the effective ways to study the Chinese traditional culture from the perspective of tri-sculpture costumes in Huizhou,such as esthetics,custom,etiquette,etc.Tri-sculpture costumes in Huizhou have unique national cultural implications in the art form,costume image and basic form.Therefore,there exist inner resonance between Huizhou tri-sculpture costumes and traditional Chinese culture.

关 键 词：徽州三雕 人物服饰 服饰文化 传统文化 内在共鸣 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]