“六经”与“轴心时代”的思想和文学突破  

Ideological and Literary Breakthroughs in the Six Classics and the Axial Age

作　　者：傅道彬[1] Fu Daobin(School of Liberal Arts,Capital Normal University,Beijing 100048,China)

机构地区：[1]首都师范大学文学院,北京100048

出　　处：《复旦学报（社会科学版）》2020年第2期74-88,共15页Fudan Journal（Social Sciences）

基　　金：国家社科基金后期资助项目“‘六经’文学论”(项目批准号:13FZW002)的阶段性成果。

摘　　要："六经"是中国"轴心时代"的文化代表,"六经"的产生经过了从文献到经典的发展历程,实现了中国古典文化的思想突破和文学跨越。经学将"六经"提高到政治的极致,却也由此遮蔽了经典丰富的思想和文学意蕴。对"六经"的解读不仅仅是"六经皆史"的学术坚持,也应该是"六经皆诗"的文学阐发。六经呈现了中国文学创立期的历史开篇、艺术格局和理论高度。The "Six Classics" is the cultural representative of China’s "Axial Age." The emergence of the "Six Classics" has undergone a course of development from literature to classics, realizing the ideological breakthrough and literary leap of Chinese classical culture. Confucian classics raised the "Six Classics" to the extreme of politics, but it also obscured the rich ideological and literary implication of the classics. The interpretation of the "Six Classics" is not only the academic insistence of "The Six Classics are all history," but also the literary interpretation of "The Six Classics are poems." The Six Classics presents the historical beginning, artistic pattern and theoretical height of the founding period of Chinese literature.

关 键 词：六经 轴心时代 哲学突破 文学创立期 文学书写 

分 类 号：I206.2[文学—中国文学] B2[哲学宗教—中国哲学]