传统的创造性转化——论徐棻《田姐与庄周》的改编特色  

The Creative Transformation of Tradition--On the Adaptation Features of Xu Fen’s Tian Jie and Zhuang Zhou

作　　者：陈丽芬 申燕[2] CHEN Li-fen;SHEN Yan(Nanchang Normal University,Nanchang 330032,China;Southwest University for Nationalities,Chengdu 610041,China)

机构地区：[1]南昌师范学院文学院,江西南昌330032 [2]西南民族大学,四川成都610041

出　　处：《扬州教育学院学报》2020年第1期21-24,共4页Journal of Yangzhou College of Education

基　　金：江西省社会科学“十三五”规划项目之青年博士基金项目(16BJ43)。

摘　　要：徐棻、胡成德同志所创编的川剧《田姐与庄周》,改编自传统剧目《大劈棺》,被称为“化腐朽为神奇”的一出好戏。川剧《田姐与庄周》的成功改编是运用现代意识重审的方法来获得主题新生,以纵向开掘人性深度的方式来达成人物形象的重塑,在横向借鉴其他艺术形式手法的同时固守自身剧种特色等手段来实现传统文化的现代转换,《田姐与庄周》的成功改编为戏曲改革的深入发展提供参考。The Sichuan Opera Tian Jie and Zhuang Zhou created by Xu Fen and Hu Chengde,which was adapted from the traditional opera Big Split Coffin,is called a good play of“turning decadence into magic”.To achieve the modern transformation of traditional culture,the successful adaptation of Sichuan Opera Tian Jie and Zhuang Zhou is characterized by the following artistic means,such as obtaining the new theme by means of the reexamination of modern consciousness,achieving the character image remodeling by means of vertical exploration on human depth,and adhering to its own opera characteristics by horizontally learning from other art forms and techniques.

关 键 词：《田姐与庄周》 改编 创造性转化 

分 类 号：I207.36[文学—中国文学]