革命歌曲实现审美认同的三条路径  

Three Paths to Achieve Aesthetic Identification in Revolutionary Songs

作　　者：李红梅 LI Hong-mei(School of Chinese Language and Literature,Linyi University,Linyi Shandong 276005,China)

机构地区：[1]临沂大学文学院,山东临沂276005

出　　处：《临沂大学学报》2020年第2期33-39,共7页Journal of Linyi University

基　　金：山东省社科规划项目“早期都市流行歌曲的大众传播与文化传承研究”(15DWXJ09)。

摘　　要：革命歌曲是反映救亡图存运动的大众流行歌曲,在民国时期通过抗日救亡歌咏运动和“左翼电影”等方式在群众中广泛传播。革命歌曲代表了中国美学现代性进程中国家独立、民族解放的重要维度,对现代性的民族国家的建构起到了推波助澜的重要作用。它以巨大的统摄力量将人们团结起来构建独立自主的现代性国家,促使人们迅速成长为成熟的现代公民,并形成了独特的审美认同机制和相应的审美共通感。在战争年代,革命歌曲所波及的受众范围是空前的,所型构的审美共通感也已经形成现代性的公共精神资源。在新的历史时期,歌曲所具有的革命功能将逐渐消解,取而代之的是它的历史意义和文化内涵,在当下的音乐创作中继续发挥作用。Revolutionary songs are popular among the people who undertook the campaign to save the nation from subjugation and ensure its survival. They were widely spread among the masses during the Republic of China through chanting of anti-Japanese movement and "left-wing movies". They represent the important dimensions of national independence and national liberation in the Chinese aesthetic modernization and play an important role in the construction of a modern national state. People got united to build an independent modern country with the power of the songs that promote them to grow into mature modern citizens, and in the meantime form unique aesthetic identification and corresponding aesthetic synaesthesia. In the war times,revolutionary songs motivated the mass of an unprecedented range, and the constructed aesthetic synaesthesia has also formed a public spiritual resource in modern times. In the new period, the revolutionary function of the songs will gradually fade away and its historical significance and cultural connotation get highlighted, which will continue to play a role in music composition.

关 键 词：革命歌曲 认同机制 现代民族国家 审美共通感 

分 类 号：I101[文学—世界文学]