论宋代骚体赋的散文化倾向  

On the Prosification of Sao-Style-Fu in the Song Dynasty

作　　者：景红录[1] JING Honglu(Tangshan Normal University,Tangshan,HeBei 063000,China)

机构地区：[1]唐山师范学院,河北唐山063000

出　　处：《重庆三峡学院学报》2020年第2期63-68,共6页Journal of Chongqing Three Gorges University

基　　金：河北省社会科学基金项目“宋元骚体赋文献整理和研究”(HB18WX024)。

摘　　要：宋代骚体赋创作受到宋代散文的深刻影响,表现出散文化的倾向。这种倾向表现在内容上,即多用之谈论时政、评说古人、阐述学问,以关注现实、阐发思想为主;表现在表达方式上,则侧重议论、富于思辨;表现在句式上,则长短随意、转换自然;表现在语言文字上,则崇尚平易浅显、通达流畅。这种散文化对骚体赋的发展是利弊并存的,而取利舍弊才是合理和有益的创作方向。The Sao-Style-Fu was deeply influenced by the prose in the Song dynasty. It shows a prosing tendency. In the content, this tendency is manifested to talk about current political affairs, to comment on the ancients or to elaborate knowledge, focusing on reality and ideas. In the way of expression, it focuses on speculative argumentation. In the sentence structure, it presents free change in length and natural transformation in the context. In the language, it advocates plainness and fluency. This tendency has both advantages and disadvantages for the development of Sao-Style-Fu, and it is a reasonable and beneficial choice to abandon the disadvantages and promote the advantages.

关 键 词：宋代 骚体赋 散文化 议论 

分 类 号：I206.2[文学—中国文学]