“小人物”长廊中的后来者——列米佐夫小说《不知疲倦的铃鼓》中的人物形象  

A Latecomer in the Long Gallery of"Little Man"-A Character in A.M.Remizov's Novel Irrepressible Tambourine

作　　者：王璐瑶 郑文东[1] Wang Luyao;Zheng Wendong

机构地区：[1]武汉大学俄语系

出　　处：《俄罗斯文艺》2020年第2期72-79,共8页Russian Literature & Arts

基　　金：国家留学基金中国与圣彼得堡大学互换奖学金项目(基金号:留金亚〔2018〕9039)的阶段性研究成果。

摘　　要："小人物"是俄罗斯文学中最典型的人物形象系列之一。处于世纪之交的白银时代作家列米佐夫在"小人物"形象的创作手法上具有过渡性特点。本文以列米佐夫的中篇小说《不知疲倦的铃鼓》为例,探讨小说主人公的文学原型,借以展示作家对19世纪现实主义文学"小人物"描写传统的继承,剖析主人公矛盾的双重人格和潜意识心理特征,发现作家对20世纪初现代主义文学表现的矛盾意识和危机意识的吸收。The"little man"is one of the most typical series of characters in Russian literature.At the turn of the century,A.M.Remizov,a writer in the Silver Age,has transitional characteristics in the creation of the"little man"image.Taking Remizov's novel Irrepressible Tambourine as an example,we explore the literary prototype of the nove's protagonist,showing the writer's inheritance of the"little man"description tradition of realistic literature in the 19th century;and then we analyze the protagonist's contradictory dual personality and subconscious psychological characteristics,reflecting the writer's absorption of the contradictory consciousness and crisis consciousness of modernist literature in the early 20th century.

关 键 词：“小人物”形象 文学原型 双重人格 列米佐夫 

分 类 号：I512.074[文学—其他各国文学]