历史转变中的二元对立--对1915-1949年中国现代文学理论建构的社会性考察  

Binary Opposition in Historical Transformation:A Social Survey of the Theoretical Construction of Modern Chinese Literature from 1915 to 1949

作　　者：王健 WANG Jian(College of Liberal Arts,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《湖南工业大学学报（社会科学版）》2020年第2期19-25,共7页Journal of Hunan University of Technology(Social Science Edition)

基　　金：国家社科基金重大项目“中国特色文学理论建构的历史经验研究”(18ZDA278)。

摘　　要：文学理论的构建不仅包含了文学的自觉,还包含了时代中形成的社会性诉求。新文化运动是诸多激进知识分子立足个体性的理想主体探索新的社会结构的尝试,它以文学为阵地形成了一系列二元对立。新文化运动之后,文学所承载的思想革命和社会革命有了冲突,二者也在"怎么写"和"怎么做"的问题中充当了各自不同的角色。毛泽东《在延安文艺座谈会上的讲话》的价值在于为这些二元对立找到了弥合的方法,融合二元所形成的体系也是马克思主义文论的价值所在。其在回应"怎么写"问题的同时,也回应了"怎么做"问题。The construction of literary theory not only contains the consciousness of literature, but also the social appeal formed in the era. The New Culture Movement is the attempt of many radical intellectuals to explore the new social structure based on the ideal subject of individuality. It takes literature as its front and forms a series of binary oppositions. After the New Culture Movement, there was a conflict between the ideological revolution and the social revolution carried by literature. The two also played different roles in the questions of "how to write" and "how to do". The value of Mao Zedong’s Speech at the Yan’an Forum on Literature and Art lies in finding a way to bridge these binary opposition. The system formed by the integration of binary is also the value of Marxist literary theory. While responding to the question of "how to write", it also responds to the question of "how to do".

关 键 词：中国现代文学理论 理论建构 二元对立 新文化运动 《在延安文艺座谈会上的讲话》 

分 类 号：I0[文学—文学理论]