从国际主义到民族主义:20世纪20-40年代中国共产党文艺思想的立场转变及原因  

From Internationalism to Nationalism:The Position Change of Chinese Communist Party’s Literary Thought from 1920s to 1940s and Its Reasons

作　　者：刘超[1] LIU Chao(College of Liberal Arts,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《湖南工业大学学报（社会科学版）》2020年第2期26-32,共7页Journal of Hunan University of Technology(Social Science Edition)

基　　金：国家社会科学基金重大项目“中国特色文学理论建构的历史经验研究”(18ZDA278)。

摘　　要：1921年中国共产党成立,其文艺理论明确站在了国际主义的立场上。20世纪30年代,经历提出挑战、立场转换、理论建构、文艺实践四个不同的阶段,中国共产党的文艺思想曲折地从国际主义转向了民族主义。其转向的宏观原因是顺应中国近现代对民族独立与自决的潮流;微观原因,一方面是党内对左倾错误的反驳,另一方面是党外回应国民党民族主义文艺思想挑战。When the Communist Party of China was founded in 1921, its literary theory clearly stood on the standpoint of internationalism. In the 1930 s, the Chinese Communist Party’s literary thought changed from internationalism to nationalism and turns through four different stages: challenge, position change, theoretical construction and literary practice. The macro reason for its turn is to conform to the trend of national independence and self-determination in modern China. The microscopic reasons are, on the one hand, the refutation of leftleaning errors within the Party and, on the other hand, the response to the challenge of Kuomintang nationalist literary thought out of the Party.

关 键 词：中国共产党文艺思潮 国际主义 民族主义 民族独立 左倾错误 

分 类 号：I0[文学—文学理论]