象征世界的构筑方法——川端康成小说《山音》的隐喻研究  

An Analysis of the Construction of a World of Symbolization:A study on the Metaphor of Kawabata Yasunari's Yama No Oto

作　　者：徐利 Xu Li

机构地区：[1]复旦大学外国语言文学学院

出　　处：《日语学习与研究》2020年第2期120-127,共8页Journal of Japanese Language Study and Research

摘　　要：在川端康成的小说《山音》中,作者对隐喻手法的运用已经从修辞格上升到语言认知、小说构建的层面。川端通过对能曲《菊慈童》的互文书写,使其文本要素成为《山音》的母题隐喻,谱写出一曲奇幻的异域求生之歌。以意象与《源氏物语》之语境联结的隐喻,为《山音》蒙上了一层哀婉的古典面纱。书写梦境的概念隐喻,在塑造主人公真实之我的同时,达到了对现实空间的逆行反戈。多重世界的构筑,体现了作家对伦理与爱情、死亡与性欲的追问和再审视,也表现了川端在回归古典之路上对小说构建方法的探析和求索。The use of metaphor in the post-war novel Yama no oto[The sound of the mountain]by Kawabata Yasunari has ris en from rhetoric to language cognition and novel construction.Through the Noh Kikujidou[The boy with chrysanthemums],Kawabata makes its textual elements become the motif metaphor of Yama no oto,and composes a fantastic song of exotic sur vival.The metaphor of the connection beUveen the image and the context of Genji monogatari[The tale of Genji]covers Yama no oto with a sad classical veil.The conceptual metaphor of dreafn writing,while shaping the real self of the protagonist,achieves a retrograde reaction against the real space.The construction of multiple worlds fully reflects the author's questioning and re-examining of ethics and love,death and sexual desires,as well as his exploration of novel construction methods on the way back to the classics.

关 键 词：山音 川端康成 隐喻 象征世界 

分 类 号：I313.074[文学—其他各国文学]