明代复古派对“自然之音”的回归——兼及乐论对文论的影响  

The Return of Revivalistic School in the Ming Dynasty to“Natural Sound”:With the Influence of Yue Theory on Literary Theory

作　　者：韩伟 HAN Wei(School of Literature,Heilongjiang University,Harbin,Heilongjiang 150080)

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《中国文学研究》2020年第2期95-103,共9页Research of Chinese Literature

基　　金：国家社科基金重大项目“中国诗歌的语言艺术原理及其历史生成规律”(18ZDA279);黑龙江省哲学社科一般项目“中国美学范畴与乐论关系研究”(18ZWB198);黑龙江省博士后科研启动项目“中国古代乐论视域下的古典美学范畴形成、建构研究”。

摘　　要："自然"是明代复古派尊奉的潜在美学原则,其实现途径是对文学音乐性的回归。在复古派眼中,音乐与文学都是广义的"天地自然之文",对"音乐文学"传统的恢复是他们复古的重要方面。因此,李东阳首倡"自然之声",李梦阳以"诗者,天地自然之音"步武其后,唐顺之强调"文法"的"本来面目",最终王世贞完成了以音、律、调为基础的文学之"格"的建构,使复古派的"格调"论变得成熟。除此之外,复古派通过"以先秦乐论指导现实文论""以乐理类比文理"两种方式,实现了乐论与文论的勾连。尽管明代复古派存在明显缺陷,但其对以音乐性为基础的"自然之美"的强调,为我们重新认知复古派诗学理论提供了新的角度。"Nature"is the underlying aesthetic principle by the revivalistic school in the Ming Dynasty whose way to realize is to return to the musicality of literature.In the eyes of the revivalists,both music and literature are the literature of heaven and earth in a broad sense,and the restoration of the"music literature"tradition is an important aspect in their restoration.Therefore,Li Dongyang first advocated"the voice of nature",Li Mengyang followed by"poets,the natural voice from heaven and earth",Tang Shunzhi stressed the"true nature"of"grammar",and finally Wang Shizhen completed the construction of"case"of literature based on sound,law and tone,making the"style"theory by the revivalistic school mature.In addition,the revivalists realized the connection between music and literature theories by"guiding realistic literature theory with pre-qin music theory"and"analogizing music theory with literature theory".Despite the obvious defects of the revivalist school in the Ming dynasty,its emphasis on the"natural beauty"based on musicality provides a new perspective for us to re-recognize the poetics of the revivalistic school.

关 键 词：明代 复古派 自然 乐论 文论 

分 类 号：I206.2[文学—中国文学]