当代中国建筑与媒体的关联式图景研究--以媒介场域为视角  

Research on Associative Picture between Contemporary Chinese Architecture and Media from the Perspective of the Media Field

作　　者：邓小骅[1] 李凌燕 支文军[1] DENG Xiaohua;LI Lingyan;ZHI Wenjun

机构地区：[1]同济大学建筑与城市规划学院,上海200092 [2]同济大学艺术与传媒学院,上海200092

出　　处：《新建筑》2020年第2期29-33,共5页New Architecture

基　　金：国家自然科学基金项目(51778426);国家社会科学基金项目(16cxw020)。

摘　　要：文章以媒介场域视角切入,将建筑媒体理解为一种关系的构筑与文化生态的维持线索,以建筑师、建筑批评、国际交往与影响力构建这三个典型领域深入研究建筑媒体与当代中国建筑的关联式图景,以此检视四十年来中国当代建筑专业场域的建立与动态发展的过程,提供了观察当代中国建筑的独特路径。之所以引入媒介场域的视角,一方面,是因为媒介传播与建筑师及其思想观念始终具有密切的互动关系,另一方面,是因为媒介场域视角是考察当代中国建筑发展历程演变的有效工具。Through the perspective of media field, this article considers professional media as a construction of relationship and the maintenance of cultural ecology. It focuses on the three typical fields of architects, architectural criticism, and international communication and influence construction, and delves into an associative picture between the professional media and contemporary China architecture, which provides a unique way to observe the field of contemporary Chinese architecture. This study has been done through the perspective of media field, because media communication has always had a close interaction with architects and their ideas on the one hand, and the media field perspective is an effective tool to investigate the evolution of contemporary Chinese architecture on the other.

关 键 词：当代中国建筑 媒体 媒介场域 关联 实验建筑师群体 建筑批评 国际影响力 

分 类 号：TU201[建筑科学—建筑设计及理论]