见人见物见生活——传统手艺展示与传承的思考  

People,Things and Daily Life:The Thinking about the Exhibition and Inheritance of Traditional Craftsmanship

作　　者：李吉光[1] Li Jiguang(Capital Museum,Beijing,100045)

机构地区：[1]首都博物馆,北京100045

出　　处：《博物院》2020年第2期102-107,共6页Museum

摘　　要：手艺由作品、技术和创作者三个层面构成,创作者是手艺的核心。以往的传统手艺展示中往往以物为主,而且执着于同类手艺中的精品,这样的展示方法难以表现不以物为载体的传统手艺,也不利于手艺的推广和更多人的学习。因此,手艺展示也应"从物到人",展示手艺带来的手艺人的人生转折,展示创作过程中的半成品和残次品,让观众感受到手艺学习是一个循序渐进的过程。手艺展示应当给观众提供"试错"机会,让观众理解成功的可贵和坚守的意义。Craftsmanship consists of work,technology and creator.Creator is the core of craftsmanship.However,in the past,the traditional display of crafts was mainly based on objects,and exhibited the fine products of the same kind of crafts.Such exhibition is difficult to show the traditional crafts not based on objects,and is not beneficial to the promotion of crafts and learning.Therefore,the exhibition of craftsmanship should also be"from things to people",showing the life transition of craftsman brought by craftsmanship,showing the semi-finished products and defective products in the creation process,so that the audience can feel that the learning of craftsmanship is a gradual process.The exhibition of crafts should provide the audience with the opportunity of"making defective products",so that the audience can understand the value of success and the significance of persistence.

关 键 词：手艺 工艺美术 展示 传承 

分 类 号：J505[艺术—艺术设计]