魏良辅昆腔改革检讨录  

An Essay on Wei Liang fu's Kun Opera Reform

作　　者：冯健民[1] FENG Jian-min(Culture and Art Academy of Jiangsu Province,Nanjing,Jiangsu 210005)

机构地区：[1]江苏省文化艺术研究院,江苏南京210005

出　　处：《艺术百家》2020年第1期90-95,149,共7页Hundred Schools In Arts

摘　　要：魏良辅的昆腔改革取得了很大成就,创出了"水磨调",使昆曲唱腔由原来的"平直无意致"一变而为"纡徐绵眇,流丽婉转",为昆曲的发展立下了不世之功,此已是昆曲史上之定论。然而,由于种种原因,也有许多人认为魏良辅的改革对之后的戏曲发展造成了一些不良影响,而魏良辅作为"始作俑者",也难辞其咎。为了给魏良辅一个公正评价,笔者特作此文。Wei Liangfu made a great achievement in the reform of Kun Opera.He created"the water mill tune of Kun Opera",which changed the singing style from"straightness and indifference of Kunshan Local Opera"to gentle andgraceful opera melody in Kun Operas.Wei Liangfu made magnificent contribution for the development of Kun Opera,which was accepted by the general public.But because of some reasons,there are some people who think that the re-form of Kun Opera has made a bad influence to the development of Kun Opera.Therefore,Wei Liangfu,who was the founder of"the bad practice",was at fault.In order to give a fair assessment on Wei Liangfu's reform of Kun Opera,I write this essay for discussing and evaluating Wei Liangfu's reform of Kun Opera.

关 键 词：戏曲艺术 魏良辅 昆腔改革 功与过 

分 类 号：J80[艺术—戏剧戏曲]