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作 者:贾明哲[1] JIA Ming-zhe(Jiangsu Academy of Culture and Art,Nanjing,Jiangsu 210013)
机构地区:[1]江苏省文化艺术研究院书画艺术研究所,江苏南京210013
出 处:《艺术百家》2020年第1期154-161,205,共9页Hundred Schools In Arts
摘 要:章草在近现代取得了复兴,这孕育在清末碑帖融合的书法大潮之中,而敦煌文书、汉晋简牍等古书迹的出土就是促使其复兴的催化剂。沈曾植、王世镗、王蘧常等书家在章草上取得的成就无一不得益于出土古书迹的刺激。古书迹的出土不仅促使近现代书法家创作思想的转变,更拓展丰富了他们的创作表现手法,这主要表现在三个方面:一是简牍章草与近现代书法"篆隶笔意"的融合;二是章草结体的融会贯通;三是章草草法的拓展。Zhangcao has made a revival in modern times,which is gestated in the tide of calligraphy in the late Qing Dynasty,and the ex-cavation of Dunhuang documents,Han and Jin bamboo slips and other ancient calligraphy is the catalyst to promote its revival.All the a-chievements made by Shen Zengzhi,Wang Shi-boring and Wang Quchang in Zhangcao are benefited from the stimulation of unearthedancient calligraphy.The excavation of ancient calligraphy not only promotes the transformation of modern calligraphers'creative ideas,butalso enriches their creative expression techniques.This is mainly manifested in three aspects.Firstly,the integration of bamboo slips,seal and straw with modern calligraphy"Zhuanli"brushwork.Secondly,the integration of Zhang Cursive and Cao.Thirdly,the expansion ofcalligraply techniques.
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