文化空间的概念及其学术视野  

The Concept of Cultural Space and its Academic Perspectives

作　　者：杨晖[1,2] YANG Hui(Chinese Language and Culture College,Yunnan Normal University;College of Sociology,Yunnan Minzu University)

机构地区：[1]云南师范大学华文学院 [2]云南民族大学社会学院

出　　处：《河南教育学院学报（哲学社会科学版）》2020年第2期36-41,共6页Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)

基　　金：2015年教育部人文社科基金青年项目“文化空间视野下西南少数民族歌场研究”(15YJCZH199)。

摘　　要：源于人类学概念的文化空间,是空间文化化与文化空间化的时空文化结合体,它以空间生产及其一系列文化表征,建构起一个属于人的意义世界。纵观目前的文化空间研究,大多为非物质文化遗产类型学的一种实操研究,旨在推进文化空间类非物质文化遗产的调查、申报、保护与传承,鲜有20世纪70年代以来社会科学空间转向之后的实践论研究。文化空间具有鲜明的地域性、文化性与社会性等属性特征,在现实语境下它们表现为三位一体,有机互构。文化空间研究应该具有整体的视野、动态的视野与关系的视野,应通过跟踪观察一系列文化表征来分析文化空间生产背后权力与资本等多重力量之间的冲突、妥协与共谋等互动关系,深度揭示并总结文化空间生产的内在逻辑与文化表征的真正规律。Originated from anthropological concept,cultural space is a combination of space culturalization and cultural spatialization.It constructs a meaningful world of human beings by space production and a series of cultural representations.Throughout the current research on cultural space,most of them are practical researches on the typology of intangible cultural heritage,aiming to promote the investigation,declaration,protection and inheritance of intangible cultural heritage in cultural space.There are few researches on the theory of practice after the spatial turn of social sciences since the 1970s.Cultural space has distinct characteristics of regional,cultural and social attributes,which are shown as trinity and organic mutual construction in the real context.The study of cultural space should have holistic,dynamic and relational perspectives.By following and observing a series of cultural representations,this paper analyzes the conflicts,compromises and collusions among multiple forces such as power and capital behind the production of cultural space,and deeply reveals and summarizes the internal logic of cultural space production and the real law of cultural representations.

关 键 词：文化空间 空间转向 关系视野 

分 类 号：G122[文化科学]