从理想认知模式看寒山诗歌中的概念隐喻  

Analysis of the Conceptual Metaphor in Hanshan’s Poems from the Perspective of Ideal Cognitive Model

作　　者：姚晓光[1] Yao Xiaoguang(School of Foreign Languages,Taizhou University,Linhai 317000,China)

机构地区：[1]台州学院外国语学院,浙江临海317000

出　　处：《台州学院学报》2020年第2期67-70,共4页Journal of Taizhou University

基　　金：台州市2018年度哲学社会规划课题“概念隐喻视域下的寒山诗歌研究”(18GHY11)。

摘　　要：根植于文化土壤的诗歌创作离不开隐喻的运用。隐喻具有概念性,它既是一种语言现象,更是一种思维方式。从理想认知模式考察寒山诗歌中概念隐喻的始源域与目标域之间的投射关系,不仅能揭示诗人隐喻思维的整体建构过程,还有助于厘清诗歌语言形式中所承载的"和合文化"内涵。Poetic creation rooted in cultural soil is inseparable from the use of metaphors.Metaphor is conceptual, which is viewed as a mode of thinking and cognition rather than a linguistic phenomenon. The investigation of the projective relationships between the original domains and the target domains of conceptual metaphors in Hanshan’s poems from the perspective of Ideal Cognitive Model not only helps to reveal the whole construction process of the poet’s metaphorical thinking mode, but clarify the connotation of " Hehe Culture"(Harmony Culture)implicated by the poetic language forms.

关 键 词：寒山诗歌 概念隐喻 理想认知模式 和合文化 

分 类 号：I207.22[文学—中国文学]