唐代书法精神在当代书籍设计中的传承与发展  

The Inheritance and Development of the Calligraphy Spirit of Tang Dynasty in the Contemporary Book Design

作　　者：张慧朝[1] Zhang Huichao(Taiyuan University of Science and Technology,Taiyuan 030024,China)

机构地区：[1]太原科技大学,太原030024

出　　处：《艺术与设计（理论版）》2020年第5期28-30,共3页Art and Design

基　　金：太原科技大学教学改革创新项目(项目号201921)。

摘　　要：伴随唐王朝综合国力之强盛、政治之开明和文化之繁荣,中国书法迎来了历史上第二个黄金时期。在“以书取士”的大唐盛世,书法精神俨然折射出宽广的开放精神,彰显出尚“法”、崇“神”、重“情”的审美精神,展现出唐代文化的自信精神。唐代书法精神为当代书籍设计提供了启示,对新观念、新技术和新媒介的开放,对新审美法度的反思,对中华民族文化自觉地传承与更新,成为当代书籍设计的趋势。With the prosperity of Tang Dynasty’s comprehensive national strength,political enlightenment and cultural prosperity,Chinese calligraphy ushered in the second golden period in history.In the flourishing Tang Dynasty,officials were recruited by calligraphy.The spirit of calligraphy reflects the spirit of openness and shows the aesthetic spirit of law,charm and emotion,which shows the self-confidence spirit of Tang culture.The spirit of calligraphy in Tang Dynasty provides inspiration for the design of contemporarybooks,suchasthe opening of new concepts,thenew technologies and new media,the reflection on new aesthetic principles,the emphasis on the development of human civilization,the conscious inheritance and renewal of Chinese culture,and become a trend of contemporary book design.

关 键 词：开放精神 审美精神 文化自信精神 当代书籍设计 

分 类 号：G23[文化科学] J292.1[艺术—美术]