复现古代知识场景,重构艺术学科架构——论艺术学科史研究的必要性  

The Recurrence of the Ancient Knowledge Scene and the Reconstruction of the Art Discipline Framework--Discussion on the Necessity of the Art Discipline History

作　　者：孙晓霞[1] Sun Xiaoxia(Chinese National Academy of Arts Beijing 10000)

机构地区：[1]中国艺术研究院,北京10000

出　　处：《新疆艺术学院学报》2020年第1期1-10,共10页Journal of Xinjiang Arts University

基　　金：国家社科基金艺术学重大项目“当代中国艺术体系研究”[18ZD03]。

摘　　要：艺术学科史研究是促进中国艺术学“三大体系”建设的有效路径。基于三个新的理论判断,即中国艺术学学科的整体化发展需求,哲学领域对现代艺术主体性的质疑和对艺术理性问题的不断回归,以及艺术理论具有居间性特质,我们需要在即有美学和艺术史研究之外,从知识学角度开展艺术学科史的研究。通过艺术学科史研究,可将历史上分散在其他学科内、归属于不同的知识群落的,与音乐、绘画、雕刻、建筑、戏剧、诗歌等各艺术相关的专门知识整合入学科视域,进行系统观察,以了解艺术的发展逻辑和动力。艺术学科史研究或可在复现古代艺术知识场景的理论诉求下,形成一种涵盖技艺生产等更多知识的新的艺术学学科架构,以更开阔的学术视域推进中国艺术学发展。The Study of art discipline history is an effective way to promote the construction of the"three systems"of Chinese art.Based on three new theoretical judgments,namely--the need for the integrated development of Chinese art discipline,the questioning of modern art subjectivity and the constant regression of art rationality in the field of philosophy and the intermediary nature of art theory.We need to study the history of art displine from the perspective of knowledge,in addition to the study of aesthetics and art history.Through the study of the history of art discipline,we can integrate the specialized knowledge related to music,painting,sculpture,architecture,drama and poetry,which are scattered in other disciplines and belong to different knowledge communities and make systematic observation to understand the logic and motive force of art development.The research on the history of art discipline may form a new art discipline framework which covers more knowledge of art production under the theoretical appeal of the recurrence of the ancient knowledge scene in order to promote the development of Chinese art science from a broader academic perspective.

关 键 词：艺术学科史 现代艺术体系 艺术与理性 古代艺术知识 中国艺术学学科体系 

分 类 号：J110.9[艺术—艺术理论]