格林伯格、弗雷德和迪弗的新雕塑理论视野比较分析  

A Comparative Perspective Analysis of the New Sculpture Theories of Greenburgh,Fred and Deaver

作　　者：张郑波 周子渝[2] Zhang Zhengbo;Zhou Ziyu(Nanjing University of the Arts,Nanjing 210013;Chengdu University,Chengdu 610000)

机构地区：[1]南京艺术学院,南京210013 [2]成都大学中国东盟艺术学院

出　　处：《新疆艺术学院学报》2020年第1期11-21,共11页Journal of Xinjiang Arts University

基　　金：国家哲学社会科学基金艺术学项目青年课题“当代城市公共宣传图像的接受与交往研究——以成都公共宣传图像为例”(19CH194)。

摘　　要：格林伯格的媒介实在论、弗雷德的剧场论批判和迪弗的趣味考古学叙述,为我们审视现代、后现代雕塑存在的正当性提供了全新的理论视角。格林伯格发现媒介突显不仅是新雕塑出场的显性标识,而且“媒介在反叛逻各斯”文化观念中彰显出新雕塑的先锋品质;弗雷德在赞同格林伯格的媒介显现论的同时,又将打量眼光和注意力引向了雕塑的剧场包装和伪饰性批判;迪弗另辟蹊径,在传承福柯知识考古学方法的基础上,突破康德的审美经验和思辨论的二元局限,将艺术的美不美判断转换成艺术的真假性问题。可见,他们从不同视野向度,解蔽了新雕塑出场的内在依据。倘若能从雕塑与人之间的相互朗照、人-雕塑-人之间的相互让渡的开放性融合视角来综合审察,我们便会越发清晰地看见他们各自理论视角开启的内在合理性、局限性和相互补充的可行性通路。Greenburgh's media realism,Fred's criticism of theatre theory and Deaver's interesting archaeological narration provide us with a new theoretical perspective to examine the legitimacy of the existence of modern and postmodern sculpture.Greenburgh found that media prominence not only marked the appearance of new sculptures,but also showed the vanguard quality of new sculptures in the cultural concept of"media in rebellion against logos".Fred,while agreeing with Greenburgh's theory of media manifestation,he also directs his gaze and attention to the theatrical packaging and pseudo criticism of the sculpture.Deaver breaks through the binary limitation of Immanuel Kant's aesthetic experience and speculative argument on the basis of his inheritance of Michel Foucault's The Archaeology of Knowledge method,transforming the judgment of artistic beauty into the question of artistic authenticity.Visible,they uncovered the internal basis of new sculpture appearance from the different field of vision dimension.If we can comprehensively examine it from the perspective of the mutual illumination between sculpture and human,and the open fusion of the mutual surrender of man-sculpture and human,we will see more and more clearly the intrinsic rationality,limitations and complementary feasibility paths opened by their respective theoretical perspectives.

关 键 词：格林伯格 弗雷德 迪弗 雕塑理论 视野比较 

分 类 号：J30-02[艺术—美术]