古琴音乐风格钢琴曲创作模式与理路探析  

Exploration on the Composing Mode and Theory of Piano Music of Guqin Music Style

作　　者：王爱国[1] 翟毅[1] Wang Aiguo;Zhai Yi(Suzhou University of Science and Technology Jiangsu,Suzhou 215009)

机构地区：[1]苏州科技大学,江苏苏州215009

出　　处：《新疆艺术学院学报》2020年第1期30-37,共8页Journal of Xinjiang Arts University

基　　金：2016年国家社科基金艺术学项目“中国古代琴论经典文本中的音乐表演观念阐释及当代意义研究”(16BD057)。

摘　　要：在中国钢琴艺术发展的百年历程中,不断有传统文化情结的作曲家,融古琴音乐元素于钢琴曲创作,并将其作为风格表述的要素。这些作曲家不仅谙熟西方的作曲技术理论,而且有着清醒的文化自觉意识与时代担当。他们在钢琴曲创作中,通过古琴与钢琴艺术的交融使作品具有了明显区别于西方美学的音乐风格,且这种有益的尝试与探索所取得的成就也有目共睹。通过此类风格钢琴曲的辨析可知,此类作品主要存在三种基本的创作模式,既“琴调主题模式”“琴曲改创模式”和“琴乐镜像模式”。据此,中国钢琴艺术中存在的“古琴音乐风格”,是通过三种基本的创作模式体现的,在技术层面融汇了古琴音乐的语言特色,在思想层面熔铸了古琴文化精神的钢琴音乐风格。In the course of the development of Chinese piano art for a century,the composers who have the traditional culture complex continuously melt the guqin music element into the piano music creation,and regard it as the key element of the style expression.These composers are not only familiar with the western theory of composition technology,but also have a clear sense of cultural consciousness and the era of responsibility.In their piano music creations,their music style is obviously different from the western aesthetic style featured with blending of guqin and piano art,and the achievements of this beneficial attempt and exploration are obvious to all.Through the analysis of this kind of piano music,we can know that there are three basic creation modes in this kind of music,which are"theme mode of piano tune","creation mode of piano music"and"mirror mode of piano music".According to this,the"guqin music style"in Chinese piano art is embodied through three basic creation modes,which have technically combined the language features of guqin music and ideologically melted and casted the piano music style of the spirit of guqin culture.

关 键 词：中国钢琴艺术 古琴音乐风格 钢琴曲 创作模式 理路 

分 类 号：J601[艺术—音乐]