晋唐画学“传移模写”观念变迁考述  

The Investigation on the Concept Change of the Painting Philosophy"Replication"in Jin and Tang Dynasties

作　　者：韩刚[1] Han Gang

机构地区：[1]四川大学,成都610000

出　　处：《新疆艺术学院学报》2020年第1期50-58,共9页Journal of Xinjiang Arts University

基　　金：2018年度国家社科基金艺术学一般项目《晋唐艺术观念变迁研究》阶段性成果,批准号:18BA010。

摘　　要：在较为详细地考察“传移模写”原义、衍义基础上,梳理与探求晋唐数百年间画史师学出新与摹拓临写两种观念的变迁之迹和所以迹。On the basis of a detailed study of the original meaning and derivative meaning of"replication",this paper sorts out and explores the traces and changes of the two concepts of innovation and carved copy writing in painting history lasted for several centuries in Jin and Tang Dynasties.

关 键 词：六法 传移模写 画家末事 

分 类 号：J212[艺术—美术]