《微物之神》:时间倒错、空间重构与聚焦转换  

The God of Small Things : Time Inversion, Space Reconstruction, and Focus Conversion

作　　者：李晓珍[1] LI Xiaozhen

机构地区：[1]广东外语外贸大学英语教育学院,广州510420

出　　处：《广东外语外贸大学学报》2020年第2期89-97,159,共10页Journal of Guangdong University of Foreign Studies

摘　　要：在《微物之神》中,印度作家阿兰达蒂·罗伊跳脱传统小说的叙事逻辑,通过时间的倒错和空间叙事的构建,将故事里的卑微、反叛、无措、悲悯表现得淋漓尽致,这赋予了小说独特的艺术魅力。罗伊运用这一套时空颠倒的叙事策略,通过空间细节的描写将断裂的故事串联起来,将二十三年的叙述空白填满。同时,小说叙事艺术紧密贴合故事中创伤的主题,聚焦在童年和成年瑞海儿之间转换,增强了小说的情节张力。立足于叙事学,《微物之神》的文本叙述特色可以从小说叙述时间的倒错、空间叙事的构建及聚焦转换等视审得以阐释。In The God of Small Things,Arundhati Roy,an Indian writer,breaks the narrative logic of traditional novels and presents the lowliness,rebellion,helplessness and compassion in the story with exquisite expressions through the inversion of time and the construction of spatial narration,endowing the novel with unique artistic charm.The author employs this narrative strategy of reversing time and space to connect the fractured stories and fill the narrative gap of 23 years through the description of spatial details.At the same time,the narrative art of the novel closely fits the theme of trauma in the story,focusing on the transition between childhood and adult Rahel,enhancing the plot tension of the novel.Based on the narrative theory,we can see the textual narrative characteristics of the god of small things from the perspectives of the inversion of narrative time,the construction of spatial narrative and focus transformation.

关 键 词：时间倒错 空间叙事 聚焦转换 

分 类 号：I03[文学—文学理论]