李邺嗣乐府诗体式初探  

A Study on Poetic Style of Li Yesi’s Yuefu Poems

作　　者：冯欣 Feng Xin(Chinese Department,Capital Normal University,Beijing 100048)

机构地区：[1]首都师范大学文学院,北京100048

出　　处：《宁波广播电视大学学报》2020年第2期15-19,共5页Journal of Ningbo Radio & TV University

摘　　要：李邺嗣是明末清初浙东诗坛中的重要人物,他作有156首乐府诗,数量多,特点鲜明。本文从诗歌体式的角度对其乐府诗进行全面考察,发现在拟古乐府走向过度模仿的明末,李邺嗣一改时弊,将对乐府诗的拟写回归到借鉴古乐府的创作体式上,而非字模句拟。这主要表现为大量使用对白、动作、场景描写,多用旧题乐府的套语等等。此外,他还积极变革,其乐府诗淡化了乐府诗中的"解""乱曰"的传统音乐属性,使旧题乐府中的套语由口语走向文本,增强其文学性。李邺嗣的乐府诗对浙东诗派同时期及后期诗人的乐府诗创作产生了较大影响。Li Yesi was an important poet of Eastern Zhejiang in the late Ming dynasty.He had wrote 157 Yuefu poems.Instead of being influenced by the trend of over-imitating Yuefu Poems in late Ming dynasty,his poems returned to Yuefu poems styles,rather than imitated the words and sentences,which is mainly reflected in the use of description of dialogue,action and scene,and the use of set phrase in the ancient Yuefu poems and so on.In addition,his poems played down the traditional musical attributes of"Jie"and"Luan Yue"in Yuefu poems,so that the old inscriptions in Yuefu poems changed from spoken language to text and their literary character is enhanced.Li Yesi’s Yuefu poems had a great influence on the composition of Yuefu poems by the poets of the Eastern Zhejiang School in the same period and later period.

关 键 词：李邺嗣 乐府诗 体式 

分 类 号：I222.6[文学—中国文学]