在边地与中心之间:《边疆文艺》对云南民族文学主体性的建构  

Between the Frontier and the Center:The construction of the subjectivity of Yunnan Ethnic Literature in journal of Frontier Literature and Art

作　　者：杨文艺[1] Yang Wenyi(School of Literature and Media,Suzhou University,Suzhou Anhui,234000,China)

机构地区：[1]宿州学院文学与传媒学院,安徽宿州234000

出　　处：《曲靖师范学院学报》2020年第2期7-11,共5页Journal of Qujing Normal University

摘　　要：作为建国后全国最早创办的文学期刊之一,《边疆文艺》成为20世纪50-60年代云南民族文学主体性建构的参与者、记录者和见证者。《边疆文艺》通过出版策略,将国族叙事与民族叙事统一起来,将社会主义革命的大逻辑与云南民族文学主体性建构的小逻辑结合起来,在"政治标准"的规训下为"艺术标准"预留了一定的话语空间,助推了具有民族特色的文化空间的生成和发展。独特的边缘文学经验,使《边疆文艺》成为时代文学症候的边疆文本。The Frontier Literature and Art is one of the earliest literary journals published after the founding of the People’s Republic of China. And it participated in,recorded and witnessed the construction subjectivity of Yunnan Ethnic Literature in the 1950 s-1960 s. Through certain publishing strategies,the literary journal objectively achieved certain effects on combinations of the socialist revolution with the subjectivity construction of Yunnan national literature,and reserves space for the "artistic standard"under the regulation of the "political standard". During the process,The Frontier Literature and Art promotes the generation and development of the characteristics of Yunnan ethnic literature. The unique marginal experience makes it has been special text of literature symptom in Seventeen Years.

关 键 词：《边疆文艺》月刊 国族叙事与民族叙事 大逻辑与小逻辑 主体性建构 

分 类 号：I29[文学—中国文学]