周代歌诗“乐本”形态探论  

Exploring the Form of the Musical Poetry in the Zhou Dynasty

作　　者：李辉[1] Li Hui

机构地区：[1]首都师范大学中国诗歌研究中心,北京100089

出　　处：《清华大学学报（哲学社会科学版）》2020年第3期112-122,210,共12页Journal of Tsinghua University(Philosophy and Social Sciences)

基　　金：国家社会科学基金青年项目“《诗经》歌唱研究”(16CZW015)。

摘　　要：《诗经》是周代歌诗高度"文本化"、经典化之后的文本,已删略了诸多与乐用相关的信息。在周代,存在服务于乐用、在技术操作层面具有实际指导意义的"乐本"文献,其内容形式多样,既有歌诗,也有歌演所用曲谱、舞谱以及相关技术性记述。就歌诗而言,可以从诗题、笙诗、乐章、诗序四方面探析"乐本"歌诗的文献形态,及其与今本《诗经》存在的离合异同关系。这一研究有助于对周代歌诗的"文本化"过程及其结果--《诗经》做出探本寻源的认识,如《诗经》中的诗题、笙诗,即完全源于"乐本",诗序的形成也滥觞于"乐本";同时,乐章一端显示出《诗经》"文本化"过程对"乐本"乐用信息的删略,这也说明从《诗经》文本探讨歌诗乐用这一研究思路的局限性。The Book of Songs is a highly textualized and canonized work in the Zhou Dynasty,from which a lot of information about the application of music has already been deleted.At the time,there were music documents which served the application of music,and had practical guiding significance in technical operation.Its content varied in form,including musical poem,music score,dance notation and some relevant technical descriptions.In terms of musical poetry,we could analyze the literature form of musical poetry from four aspects:title,the sheng poem,movement,and poetic preface.They had complex similarities and differences with The Book of Songs.This study will help us to have a profound understanding of the textualizing process of musical poetry in the Zhou Dynasty and its classical result:The Book of Songs.The title and the sheng poem in The Book of Songs were completely originated from music text,so was the formation of the poetic preface.Meanwhile,movement showed the deletion of the musical information of the music text of The Book of Songs in the process of its textualization,which also demonstrated that the research idea of exploring the music application of musical poetry from the text of The Book of Songs had some limitations.

关 键 词：歌诗 乐本 乐用 乐章 文本化 

分 类 号：I207.22[文学—中国文学] K224[历史地理—历史学]