论洛谢夫的神话哲学与美学思想  

On A.F.Losev’s Philosophy of Myth and Aesthetic Thoughts

作　　者：刘锟[1] Liu Kun

机构地区：[1]黑龙江大学俄罗语言文学与文化研究中心

出　　处：《俄罗斯文艺》2020年第1期46-54,共9页Russian Literature & Arts

基　　金：国家社科基金项目“洛谢夫人文思想的宏大叙事及其宗教精神研究”(18BWW038)的阶段性成果。

摘　　要：作为俄罗斯文化的白银时代最后一位伟大的哲学家和思想家,洛谢夫的美学思想与其整个人文领域的探索路径一脉相承,即立足于现象学辩证法的视角,体现出立体多维的特征。古希腊及现代西方哲学中的相关概念,如数、名谓、艺术、象征、相(эйдос)在他的学说体系中生发出新的内涵,焕发出新的光辉,而神话是其美学理论思辨的基础和核心。本文在探讨洛谢夫神话哲学思想的同时,主要剖析神话概念在洛谢夫美学思想体系中的本质内涵和本体论地位。A.F.Losev’s humanistic ideas are embodied in the characteristics of stereoscopic multi-dimensional.As the last great philosopher and humanist of the silver age of Russian culture,Losev had constructed a complete and profound ideological system from the Angle of phenomenology of dialectics,and with the aid of the ancient greek philosophy and modern western theory.Its full systematic was associated with orthodox philosophy and religion spirit.As all of his logical methods embody the organic connection between concepts,his aesthetic thought system is demonstrated by mutual definition and interpretation between concepts such as number,symbol,name,art,eidos and myth,which has been the foundation and core of his aesthetic exploration.While discussing Losev’s mythology and mythological philosophy,this paper focuses on the essential connotation and ontological status of the concept of myth in Losev’s aesthetic ideology.

关 键 词：А.Ф.洛谢夫 美学 神话 艺术 象征 

分 类 号：B512.59[哲学宗教—外国哲学] B83-0