20世纪下半叶中国电视纪录片创作观念流变研究  

The Transition of Creative Ideas in Chinese Television Documentary Films in the Late 20th Century

作　　者：田秋生[1] TIAN Qiu-sheng

机构地区：[1]广州大学新闻与传播学院,广东广州510006

出　　处：《新闻大学》2020年第4期97-109,122,123,共15页Journalism Research

基　　金：国家社会科学基金项目(编号17BXW018)。

摘　　要：本文在知识社会学的视野中,探讨20世纪下半叶中国电视纪录片创作观念的流变。研究发现,20世纪下半叶,中国电视业经历了一个发现电视纪录片的过程。在有关纪录片本质属性的认知方面,经历了"取道‘新影’"——"发现电视"——"定义纪录片"的过程;在有关电视纪录片工作者职业角色的认知方面,则经历了"党的宣传员"——"记录者"——"朋友"的过程。From the perspective of intellectual sociology,the thesis probes the transitions of creative concept in Chinese television documentary films in 20 th century.This article argues that,in the second half of last century,television documentary filmmakers in China had experienced notable transitions in terms of their understanding of what documentary film is.In terms of filmmakers’ontological understanding,shows a series of changes from"by the way of news documentary film"to"discovering television"to"defining documentary film";with regard to the recognition of the subjective role of filmmaker,the history of TV documentary shows that they follow a route from"propagandist of the party"to"journalist"and finally to"friend".

关 键 词：电视史 纪录片 创作观念 

分 类 号：J90[艺术—电影电视艺术]