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作 者:付筱娜[1] 时贵仁[2] FU Xiaona;SHI Guiren(College of Comprehensive Foundation Studies,Liaoning University,Shenyang 110136,China;College of Foreign Studies,Liaoning University,Shenyang 110136,China)
机构地区:[1]辽宁大学公共基础学院,辽宁沈阳110136 [2]辽宁大学外国语学院,辽宁沈阳110136
出 处:《辽宁大学学报(哲学社会科学版)》2020年第2期143-151,共9页Journal of Liaoning University(Philosophy and Social Sciences Edition)
基 金:教育部人文社会科学研究规划基金资助项目(16YJA752003);2019年度辽宁大学亚洲研究中心亚洲问题研究项目(Y201906)。
摘 要:《金云翘传》成书于明末清初,"青心才人编次,天花藏主人作序"〔1〕,是在历史史料以及才子佳人小说创作传统的基础上完成的文学作品。《金云翘传》在叙事上对才子佳人小说的突破主要包含了叙事角色与行动功能两个方面。由于在叙事方面的突破,《金云翘传》对传统才子佳人小说的批判主题得以深化,使其在小说发展史上具有重要价值。文章以苏联语言学家弗拉基米尔·普洛普的叙事功能说为研究手段,以才子佳人小说的叙事模式为研究对象,从叙事角色"才子""假才子""佳人""援助者"和"坏人"以及相对应的行动功能角度出发分析了《金云翘传》在叙事上对才子佳人小说叙事模式的突破,进而探究《金云翘传》对才子佳人小说发展的推动作用。The Tale of Kieu was finished during the period of late Ming and early Qing Dynasty.“It was put in order by QingxinCairen and preluded by Tianhuazang Master.”The novel was created on the basis of historical materials and the narrative tradition of genius and beauty novels.The breakthrough of The Tale of Kieu mainly lies in the following two aspects:narrative role and action function.The Tale of Kieudeepens the critical themes of the genius and beauty novels through its breakthrough in narration,endowing itself a phylogenetic value.By referring to Vladimir Propp’s narrative function theory,the paper analyzes the narrative pattern of genius and beauty novels and studies The Tale of Kieu’s breakthrough in the narrative pattern of genius and beauty novels from the perspectives of different narrative roles,such as genius,false genius,beauty,assistant and villain,and their action function,so as to explore the role The Tale of Kieu plays in the development of genius and beauty novels.
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